Bae Yoon Hwan Korea, b. 1983
Road to Studio B, 2018
single channel video
11min 40 sec
edition 3 of 5
Road to Studio B is produced as a stop motion animation that shows the dynamic presentment of objets made by assemblage technique and an intense drawing of the materiality of charcoal, oil pastel, acrylic, pen, etc. This work is an animation about a road to a space called "B", a new studio (mind space) where ‘B', who is determined to leave a studio that exerts constantly changing strange forces such as
a gambling place, hell, training field, playground, and cave, considers and selects the materials that ‘B' needs and important masses of mind he has created in the past. His journey is also a process of creating new work, and is a index of the creation, transformation, and migration of numerous mind masses, as evidenced by the traces of erased lines engraved through the repetition of erasing and drawing.
a gambling place, hell, training field, playground, and cave, considers and selects the materials that ‘B' needs and important masses of mind he has created in the past. His journey is also a process of creating new work, and is a index of the creation, transformation, and migration of numerous mind masses, as evidenced by the traces of erased lines engraved through the repetition of erasing and drawing.
Road to Studio B is produced as a stop motion animation that shows the dynamic presentment of objets made by assemblage technique and an intense drawing of the materiality of charcoal, oil pastel, acrylic, pen, etc. This work is an animation about a road to a space called "B", a new studio (mind space) where ‘B', who is determined to leave a studio that exerts constantly changing strange forces such as
a gambling place, hell, training field, playground, and cave, considers and selects the materials that ‘B' needs and important masses of mind he has created in the past. His journey is also a process of creating new work, and is a index of the creation, transformation, and migration of numerous mind masses, as evidenced by the traces of erased lines engraved through the repetition of erasing and drawing.
a gambling place, hell, training field, playground, and cave, considers and selects the materials that ‘B' needs and important masses of mind he has created in the past. His journey is also a process of creating new work, and is a index of the creation, transformation, and migration of numerous mind masses, as evidenced by the traces of erased lines engraved through the repetition of erasing and drawing.