Tatsuo Miyajima Japan, b. 1957

Overview

Tatsuo Miyajima is the pioneer of Japanese media art and is one of the internationally significant figure in media artist who focuses digital media as LEDs used for electronic watches and displays to meditate on fundamental questions about life, death, and the cycle of time. Based on the trans-generational universality of the LED’s simple mechanism, he explores  meta discourse about visualizing interpretations of time and the concept itself.

 

Since the 1980s, he has embraced Western pluralism and Eastern philosophy, and selected numbers, a symbol of logic, as his own formative language, bringing philosophical ideas through life and death into his work. In addition, Each work represents a unique number permutation expressing the infinite value of the universe in the list of numbers. Intangible time is visualized in a way that is expressed as the life and death through repetitive cycles, and Tatsuo contains his thoughts on time, life, death, and reincarnation, which are the inevitable fate of man. The lights that flash in its own cycles inspire the viewer's psychological and emotional sympathy by reflecting thoughts of each individual's relative passage of time.

 

Tatsuo Miyajima lives and works in Ibaraki, Japan. He received a BA in Fine Arts and an MA from Tokyo University of the Arts in Japan, and an Honorary Doctorate from University of the Arts in London, UK. He has held solo exhibitions at numerous prestigious museums including Het Noordbrabants Museum (2022),  Santa Barbara Museum of Art, Santa Barbara (2019), Shanghai Minsheng Art Museum, Shanghai (2019), Museum of Contemporary Art Australia, Sydney (2016), UCCA Center of Contemporary Art, Beijing (2011), Art Sonje Center, Seoul (2002), San Fransisco Museum of Modern Art, San Francisco (1997), Kunsthalle Zurich, Zurich (1993), Hiroshima City Museum of Contemporary Art, Hiroshima (1990) and etc. His works are in the collections of Mori Art Museum, Japan; Museum of Contemporary Art Tokyo, Japan; Tate Collection, UK; British Museum, UK; SFMOMA, USA; Museum of Contemporary Art Chicago, USA; Fondation Cartier pour l’art contemporain, France; Kunstmuseum Stuttgart, Germany; MMCA, Korea; Leeum Museum, Korea, and etc.

Works
  • Tatsuo Miyajima, Numerical Beads Painting - 000, 2022
    Tatsuo Miyajima
    Numerical Beads Painting - 000, 2022
  • Tatsuo Miyajima, C.F.Loop / Helix no.2, 2021
    Tatsuo Miyajima
    C.F.Loop / Helix no.2, 2021
  • Tatsuo Miyajima, C.T.C.S. Flower Dance no.1, 2017
    Tatsuo Miyajima
    C.T.C.S. Flower Dance no.1, 2017
  • Tatsuo Miyajima, Innumerable Life/Buddha MMD-02, 2020
  • Tatsuo Miyajima, Hiten - no.17, 2020
    Tatsuo Miyajima
    Hiten - no.17, 2020
  • Tatsuo Miyajima, Hiten - no.19, 2020
    Tatsuo Miyajima
    Hiten - no.19, 2020
  • Tatsuo Miyajima, Hiten - no.2, 2020
    Tatsuo Miyajima
    Hiten - no.2, 2020
  • Tatsuo Miyajima, Changing Time with Changing Self - small circle no.8, 2020
    Tatsuo Miyajima
    Changing Time with Changing Self - small circle no.8, 2020
  • Tatsuo Miyajima, Painting of Change - 008, 2020
    Tatsuo Miyajima
    Painting of Change - 008, 2020
  • Tatsuo Miyajima, Unstable Time L - no.1, 2020
    Tatsuo Miyajima
    Unstable Time L - no.1, 2020
  • Tatsuo Miyajima, Unstable Time S - no.8, 2020
    Tatsuo Miyajima
    Unstable Time S - no.8, 2020
  • Tatsuo Miyajima, Counter Gap, 1989/2019
  • Tatsuo Miyajima, Counter Spiral No.14, 2000
  • Tatsuo Miyajima, Opposite Square, 1991
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