Tobias Rehberger Germany, b. 1966

Overview

Tobias Rehberger has achieved his unique cross-disciplinary aesthetic whose broad range embraces images, objects, installations and collaborations. Crossing  dichotomous boundaries or hierarchies which revolve around dynamics of diverse genres and roles such as sculpture/installation/architecture, fine art/design, art/daily life and aesthetic/function, he also explores ‘in-between’ realms among those different fields consistently. At solo exhibition at Gallery Baton in 2020, Tobias Rehberger reveals his large-scale installation project which drastically intervenes in and makes a full use of gallery’s original inner structure. The exhibition consists of three spaces occupied by images, objects and installations. The Five massive walls covered with images, along the advised route of the exhibition. The monotonous ambience of his ordinary photographic images makes a sharp contrast to the images’ excessively enlarged sizes, and this spectacle and spontaneous approach of Rehberger suggests what visual experiences mean in ‘the Age of the Image’.

Works
  • Tobias Rehberger, TRUTHS that would be maddening without love, 2020
    TRUTHS that would be maddening without love, 2020
  • Tobias Rehberger, truths THAT WOULD BE maddening without love, 2020
    truths THAT WOULD BE maddening without love, 2020
  • Tobias Rehberger, truths that would be MADDENING without love, 2020
    truths that would be MADDENING without love, 2020
Exhibitions
News