Koh San Keum Korea, b. 1966

Overview

Koh San Keum, a conceptual artist, translated texts consumed as social symbols, such as novel, newspaper, poetry, essays and law books into material objects in her work. She responds to books and sentences she has been mesmerized by which have considerably influenced her thoughts. The selective sentences that she is particularly responsive to play a crucial role in developing the unique identity and the essence of the artist’s philosophy.

 

By deploying 4mm artificial beads one by one onto panels depending on numbers of the words and spacing of them, this procedure allows semantic context of the sentences to be hidden, whereas it underlines not only the artist’s imagination and energy, but also a visual formativeness and an aesthetic impression stem from the texts. Koh’s work involves a heavily labor-intensive process in which the artist herself arranges tens of thousands of artificial pearls over the panels’ ivory surface achieved by repeating painting and sanding acrylic paint, one by one.


The texts delivered by the pearl beads break away from their functional part as a symbol, at last reach the state of Post-nationalism. They eventually are reborn as a new level of language, universal and neutral, basically responding to human sense of sights. Converted into a pearl, the text emancipates itself at last from its obligation to function as a symbol, and becomes something that is postnational and post-ethnic.

 

Koh San Keum received an MFA in painting from Ewha Women’s University, Korea and the Pratt Institute, US. She currently lives and works in Seoul, Korea. Her works have been featured in group exhibitions at National Museum of Modern and Contemporary Art (MMCA), KR; Seoul Museum of Art (SeMA), KR; Gyeonggi Museum of Modern Art, KR; Daejeon Museum of Art, KR; Sungkok Museum of Art, KR; C5 Art Beijing, CN; Museo Carlo Bilotti, IT among others. Her work is represented in the collections of MMCA, KR; SeMA, KR; Gyeonggi Museum of Modern Art, KR; Suwon Museum of Art, KR; Seoul National University Museum of Art, KR; Ewha Womans University Seoul Hospital, KR, U. PINE MED, KR and more. 

Works
  • Cantata BWV 167 (Johann Sebastian Bach)
    Koh San Keum
    Cantata BWV 167 (Johann Sebastian Bach), 2025
  • Square (A Room of One’s Own, Virginia Woolf)
    Koh San Keum
    Square (A Room of One’s Own, Virginia Woolf), 2025
  • Square (Elizabeth Strout, Oh William!)
    Koh San Keum
    Square (Elizabeth Strout, Oh William!), 2023
  • Greek Lessons Pp.50-84. (by Han Kang)
    Koh San Keum
    Greek Lessons Pp.50-84. (by Han Kang), 2021
  • Text by Lee Si Young, Excerpt from Sehando JeChan (Written Impression)
    Koh San Keum
    Text by Lee Si Young, Excerpt from Sehando JeChan (Written Impression), 2019
  • Poem by Hwang Jin-Yi
    Koh San Keum
    Poem by Hwang Jin-Yi, 2019
  • Prologue (Yun Dong-ju)
    Koh San Keum
    Prologue (Yun Dong-ju), 2022
  • Curtain (Agatha Christie)
    Koh San Keum
    Curtain (Agatha Christie), 2023
  • Sam Il Po (Excerpt from Park Kyoung Lee Novel)
    Koh San Keum
    Sam Il Po (Excerpt from Park Kyoung Lee Novel), 2011
  • The Chosun choong-Ang Ilbo May 27, 1935, Section 3 & 4
    Koh San Keum
    The Chosun choong-Ang Ilbo May 27, 1935, Section 3 & 4, 2019
  • Where the Wind Rises (Kim Kwang-seok/Lee Jin-ah)
    Koh San Keum
    Where the Wind Rises (Kim Kwang-seok/Lee Jin-ah), 2022
  • The Name Anonymous 1
    Koh San Keum
    The Name Anonymous 1, 2015
  • Bouvard et Pécuchet (Gustave Flaubert), Excerpt from Pp. 35-94
    Koh San Keum
    Bouvard et Pécuchet (Gustave Flaubert), Excerpt from Pp. 35-94, 2019
  • Memory Board 4
    Koh San Keum
    Memory Board 4, 2019
  • I have a dream (Song of ABBA)
    Koh San Keum
    I have a dream (Song of ABBA), 2019
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