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빈우혁 Korea, 1981

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Bin Woo Hyuk, Park 87, 2020

Bin Woo Hyuk Korea, 1981

Park 87, 2020
oil on linen
90 x 115 cm
When Bin Woo Hyuk delivers the landscapes onto his canvas, he concentrates on the moment itself by removing narrative elements rather than conveying any implications and criticism. In Bin's recent practice, especially, he shows big-scale abstract paintings, play a major role of addressing a future direction in terms of his investigation into forest landscapes without familiar typical figures, the giant plane of the work suggests its original source through
only other adjacent figurative paintings.
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짙은 녹색과 검은색이 지배하는 캔버스는 반복되는 붓질이 만들어낸 희미한 캔버스 흰 바탕의 노출에만 의지하면서도 화면 전체에 오묘한 빛을 흩뿌린다. 수면의 작은 한 부분, 자연의 기본 요소가 응당 품고 있는 추상성에 대한 세밀한 탐구는 '심연'(Abyssus 85)이라는 그 제목만큼이나 거대하고 심오하게 다가온다.

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