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Artworks

Bin Woo Hyuk, Live-Wall-Revery, 2020

Bin Woo Hyuk Korea, 1981

Live-Wall-Revery, 2020
oil on linen
160 x 130 cm
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Bin Woo Hyuk's landscape paintings present innovative interpretations which extend the possibilities of the materials and the space depicted. The quest for solitude extends to the series of marble paintings which becomes simultaneously photorealistic and an abstraction of the stone. He believes marble is the witness to the force of nature, the history of all the beings and events of a certain place, an unfathomable depth of time captured in rock. In the depiction of monochromatic and abstract patterns of marble,
Bin discovers a psychological space where he finds the longed solitude. He meditates in this landscape to reach the inner peace within himself.
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빈우혁에게 벽은 아무런 소리도, 표정도, 반응도 없기에 현실을 있는 그대로 담아낼 수 있는 가장 완벽한 소재이다. 특히, 대리석 벽의 명확하지 않은 패턴은 그에게 평정을 주는
숲을 찾고자 방황하던 그의 고민에 해답이 됐다. 대상이 바뀌었을 뿐 그리는 대상이 지닌 서사적 요소를 제거하고 그리는 행위 자체에 주목하는 작가의 태도는 변함이 없다.

그는 대리석 벽을 바라보고 그린 ‘Live-Wall Revery’ 시리즈를 통해 가까운 과거와 미래를 은유한다. 요동치는 물결이나 나뭇결을 연상시키는 자유로운 패턴, 흐르는 공기를 담고 있는 듯한 여백으로 묘사된 대리석 벽은 모호한 추상화이기보다는 마치 치밀하게 구성한 풍경화 같다. 빈우혁이 대상을 인식하는 태도와 표현 방식이 여전히 독특한 그만의 풍경을 창조해낸 것이다.

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